i don't like new experiencesâ
i prefer the same experience over and over again
the same person over and over again
the same taste over and over again
like a madman, like anyoneâ
who's in love.
you seeâlove is an art
it opens itself to you the more you look at it.
from bud comes out a flower.
first look, random dots
second, a constellation.
love, is not a waterfallâor a moment,
it is a never ending staircase.
with every step, with every slipâ
you fall in love even more
deeper and deeper, darker and darker
until you can't see each otherâor yourself.
nor you need to.
for your handsâbecome your eyes.
your wordsâbecome your body.
and loveâ
becomes the air that you breathe.
you see, love is everywhere.
it's in the 28-days old chrome tab that you can't seem to close.
it's in the t-shirt that is too small, but you can't seem to get rid of.
it's in the poem that you started months ago, but is too good to be finished.
and no matter how much the world tells youâ
those tabs are crashing your chrome,
or those clothes are crowding up your wardrobe,
or that poem that may always remain a draft.
i hope you keep the tabs, and the t-shirts, and the poem with you.
because love shall die when the last lover dies.
i leave this poem here for you to continue, or until i return back
and when i come back, i willâ
i love visiting hand-crafted websites which feel like homeâa personal spaceâthat shall be visited by a few. even if masses arrive, they seldom feel home. not everyone knows the scent of a homegrown tulsi.
in a world of commercially-build apartments, same windows, same corners, with no life of their own. even the errors are replicated like fractals. people living on such social media apps, add a profile photo, a banner, a banterâin an attempt to make it home.
but one layer of customization on thousand bricks of standardization will not let the art and life breathe. it will look like cemeteries full of endless floors of graves with their distinct epitaphs.
artists, still alive, will pick the shovel, take cement, and soil, and soulâto build a yet another home. and live in neocities and tumblrs. with their beautiful stories, messy handwritings, and imperfect corners.
I'm not on Instagram
I donât use Instagram and this post answers why. I have been asked this question several times at several occassions. So, I thought why not save some time and write a post where I could direct them to. Most of them wonât read this completely and that is the point.
There are more than one reasons.
It eats up my time
I clap with an angry face here for what Mark has achieved. Using Instagram is so easy and seamless. You think you are just seeing your friendâs pics till the bus arrives, only to realize you missed the bus because you were on instagram. The addictive component is so good that itâs bad.
Short form content
Itâs ironic that I say this because I love twitter which is notorious for short-form written content (not after Elon entered). It is basically Tiktok for text-form content. But text is not as enticing as edited flashy pictures. I have to read and comprehend to understand the text to get some dopamine. Itâs also very difficult to be entice someone with text. How beautiful can you make the font? Add serifs? Perhaps the content could be made juicier, but such content is easy to weed out.
Tiktok is different. Itâs dangerously more addictive. Do you remember the books you used to read as a kid? They had all the colors and fonts. Tiktok is just like that but with music, animations, images, videos, and endless stream of dopamine served in small chunks. It reminds me of the old arcade casino games.
Instagram picked all these âqualitiesâ from Tiktok and pushed more videos turning it into a tiktok.
Lack of depth
Twitter is great because you have to message under 180 characters.Now X (formerly twitter) allows long form content. This means you have to remove umms and ahs before posting. You have to be more articulate and cryptic. This makes reading them equally difficult. Now the reader has to decrypt and understand what you wrote in those 180 characters. Believe me there are tweets I took hours to understand if not days. They lack context. Eric Jorgenson wrote a whole book Almanack of Naval Ravikant from Navalâs tweets.
Instagram prefers pictures and videos for posts. And arguably,
A picture is worth a thousand words.
Thus, Instagram should ideally be more cryptic and have depth to explore. But, I donât agree with the above quote. I prefer:
A painting is worth a thousand words.
The difference is of intentions. Every thing in a painting is intentionally included by the painter, unlike the photos. It may mean a thousand words. Intended pictures, in that way are also art pieces like paintings and sculptures. But not an average heavily-edited instagram post. They are easy to create and post. Nevertheless, they serve a medium to explore things that you can delve deeper later.
Mimesis is a bi*ch:
If comparison is the thief of joy, Instagram is the enabler.
It creates an endless environment of comparison among peers. Winning is not difficult though. To compete on LinkedIn, you may have to finish a course or do a summer internship, but on Instagram you can simply edit your pictures, add some filters, throw some light and there you have your âperfect instagram-worthyâ photo. The comparison is not only between you and your peers, but also between you and your âinstagram filtered selfâ.
There is enough research done to prove how harmful Instagram is because of comparison and mimetic lifestyle it enables so easily. Effects range from addiction, body image issues, cyberbullying to depression.
Just like Chatgpt created fake comments, emails, and content so prevelant. Instagram features create a fake world. Itâs not a surprise how from editing our photos to look perfect, has led us to editing AI generated pics to look more like us. The border is deminishing.
Finsta and Rinsta effect
Itâs not uncommon for individuals to have multiple accounts. Many Instagram users have a Rinsta and a Finsta account. Rinsta account (stands for Real Insta a/c) is public and focuses on positive and edited content, aiming to present a desirable self-image. While the Finsta account (Fake Insta) is mostly private and used for more emotional and personal content.
The funny thing is Finsta, despite being called âFakeâ allows for a more authentic self, where users can express humor, authenticity, and âunfilteredâ self-expression. In contrast, the âRealâ Rinsta account presents a more socially desirable amd âfakeâ self-image to a larger audience.
// I plan to post my unedited pictures here in my visual journal if you wish to see.
âI donât drinkâ â A thing I say a lot at parties.
Apparently, even if you have a coke in your hand, you have to say âyou donât drinkâ as opposed to saying âI donât drink alchoholâ. As if drinking anything other than alchohol is not drinking.
Pop culture and its [[ adoption of words ]] has always bothered me. But this one annoys me a little more than usual. Enough to make me write a post about it.
I love to get high
This bothers others more than alchohol has ever bothered me. Itâs difficult for them to fathom how can someone get high without drinking, smoking, or using drugs? I mean itâs literally the dictionary definition of getting high, isnât it?
When I say âI love to get highâ, what I mean is feeling similar emotions as one would feel when one is intoxicated. I asked my friends what they feel when they are high, or just drunk. They tell me how they feel and I tell them I have experienced it.
When they further inquire how I reached that state, they get dissapointed by my answer â and perhaps you shall too. I already apologize.
##
The French poet Charles Baudelaire writes:
You have to be always drunk. Thatâs all there is to itâitâs the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.
But on what? Wine, poetry or virtue, as you wish. But be drunk.
And if sometimes, on the steps of a palace or the green grass of a ditch, in the mournful solitude of your room, you wake again, drunkenness already diminishing or gone, ask the wind, the wave, the star, the bird, the clock, everything that is flying, everything that is groaning, everything that is rolling, everything that is singing, everything that is speaking [âŠ]ask what time it is and wind, wave, star, bird, clock will answer you: âIt is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.â
In a much different tone, author John Green says:
[âŠ] nerds like us are allowed to be unironically enthusiastic about stuff. Nerds are allowed to love stuff, like jump-up-and-down-in-the-chair-canât-control-yourself love it. Hank, when people call people nerds, mostly what theyâre saying is âyou like stuff.â Which is just not a good insult at all. Like, âyou are too enthusiastic about the miracle of human consciousnessâ.
The word â âBeautifulâ
If you know me, you must know that I love [[ words ]] and what role they play in the world.
I once wrote
âwords are not worlds
except for in your poemsâ
they tell him
using words.
âwords are the worldsâ
he replies
if not,
they are lies.
I [[ play with the rules ]] and often create new words myself. Itâs not a shocker that I would try to find the perfect word to express something, but one word that I overuse everywhere is â Beautiful!
Everything is âBeautifulâ
I use this word to appreciate everything.
You are a beautiful soul.
You have a beautiful voice.
Your thoughts are so beautiful.
Your childhood must be beautiful.
Hey, donât worry! The match would be beautiful.
You may have noticed using the word âbeautifulâ this way is beyond appropriate. All the adjectives in my dictionary must be planning to kill me listening to me.
On the cozy web, who are you?
In the last 6 months, Iâve stepped away from typical social media sites and turned towards cozy web spaces. The [[ cozy web ]] is the name for the areas of the internet where you interact with others but are largely safe from uninvited eyes, like ad trackers, trolls, and the general public. It was originally coined by Venkatesh Rao.
Instagram, Twitter, and Reddit are not cozy web, but the following are:
Slack communities
Discord servers
Whatsapp groups
Something Iâve noticed about these spaces is that the question Who are you? is answered very differently than on social media.
On the cozy web, itâs not enough to glean who your interlocutors are through their profiles alone. Other than an avatar and a display name, cozy web profiles offer very little information about that person. In order to get a real feel for who someone is, you need to actually see them interacting repeatedly over a period of time â how do they type? What do they say? What reacts do they use? Identity is developed actively, and over time.
This is the opposite of sites like Instagram or Twitter. The whole point of those is that everything youâve said or posted is cemented into a bundle of âwho you areâ, ready for anyone to stalk for years to come and devoid of all context in which it was posted.
On the cozy web, for anyone to develop any sense of who you are, you have to actually participate in conversation â but youâre also not necessarily beholden to everything youâve said in the last few years. And on the flip side, if you only ever lurk, you never quite develop an identity. (This can also be said for traditional social media, though.)
Identity as brand
The other thing about cozy web spaces is that brands donât live there (unless itâs a space made by the brand, for the brand). Corporate content doesnât get mixed with layperson content: you donât interact with corporations, you donât consume a cool piece of content only to discover its a sponsored post. Thereâs no careful crafting of brand identity by professionals, whether itâs for a corporate or personal account â it just doesnât make sense to invest in.
Does this mean that cozy web presence is more authentic than social media presence?